Cameron L. White

Writing

Academic/Long-form

Pixels, Police, and Batons: Hong Kong Cinema, Digital Media, the 2019 Protests, and Beyond (Film Quarterly, Volume 74, Issue 3, Spring 2021) An exploration of the digital media of the 2019 Hong Kong protests and its resonances with the city's cops-and-robbers film genre (警匪片).

Essays, Criticism, and Interviews

Fear’s Place in Political Struggle: Inside the Red Brick Wall and Fear(less) and Dear (Sputnik: Yamagata International Documentary Film Festival Reader 2021, no. 5: 1-2.) Review of two Hong Kong documentaries from the 2021 Yamagata International Documentary Film Festival.
Mediating the Power Dynamics between Two Languages: A Conversation with Charlotte Chun-lam Yiu (World Literature Today, 10/15/20) An interview with Charlotte Chun-Lam Yiu regarding her translation of Liu Yichang's The Drunkard (酒徒).
An American "Journey to the West": What Chinese audiences think of when they see Hollywood films (Quartz, 3/15/19) Western critics aren't the only ones who turn to canonical works to explain foreign films.

散文（中文名：白國榮）